The Psychoanalytic Instrument: Possibility, Form, and Risk (Online Presentation)
FRIDAY, OCTOBER 9, 2020 | 7:30 — 9:30 PM, VIA ZOOM
2 CE credits for Licensed Psychoanalysts and Social Workers
Practitioners and General Public: $40
Students: Free [click to register]
Historically, psychoanalysis has underestimated, watered down, even denied the inherent risks of the clinical situation. This combustible arrangement invites the patient’s passionate attachment and desire, with the abstinent analyst functioning as a deliberately incendiary human lure. That mortal vehicle is always vulnerable (analysts can die) as well as fallible (they can err). Paradoxically, the humanness of the analyst is not only a source of tragic potential but, at the same time, the method’s fundamental engine. As a means to understand why, and how, this clinical situation works, the paper explores Freud’s beautiful brief essay “On Transience.” Freud’s phrase there – “scarcity value in time” – is at the heart of that engine, the power of the psychoanalytic form. Form limits and, at the same time, increases possibility for meaning. Examples, in addition to “On Transience,” include a poem by Ben Jonson, Freud’s classic narrative known as “fort-da,” Winnicott’s “set situation,” and the clinical process itself.
Ellen Pinsky, PsyD, came to psychoanalysis as a second profession following 25 years as a middle school English teacher. She says her experience in the classroom with 12- and 13-year-olds taught her most of what she needed to know to become a creditable clinician. About her book, Death and Fallibility in the Psychoanalytic Encounter: Mortal Gifts (Routledge, 2017), Thomas Ogden writes, “Mortal Gifts is a necessary book—necessary for analysts and necessary for the analyses they conduct. In it, Ellen Pinsky addresses a long-neglected issue in the practice of psychoanalysis: the analyst’s failure to include in the very fiber of the analysis the fact of his or her mortality.” She is on the faculty of the Boston Psychoanalytic Society & Institute, from which she graduated in 2006. In 2014 she was awarded BPSI’s Deutsch Prize for her essay “The Olympian Delusion” (JAPA, 2011).
A zoom link for this online event will be emailed to registrants a few days before the event begins.
Practitioners and General Public: $40